in "reckless blues," the singer uses

Matrix number: 21821; 21838; 21822; 21837; 21840; 21841; 21843; 21871; 21839; 21844; 21842; 21870Catalog number: Other IDs from the record include: (21870); (21821); (21837); (21871); (21839); (21841); (21844); (21838); (21840); (21842); (21822); (21843); 1-1, Uploaded by Bessie Jones and the Georgia Sea Island Singers. The Bessie Smith story drawn by Aude SamamaThe Full Bessie Smith playlist here: http://bit.ly/BessieSmith-FullPlaylistGet the Digital version on iTunes: https://itun.es/fr/bBxN8Order the CD version (2CD+Cartoon) on BD Music: http://bit.ly/CDversion-BessieSmithBDMUSIC collection presents all your favorite singers drawn with the eye of draftsmen, painters or illustrators of our era. Search the history of over 806 billion Reckless Blues Lyrics. African American music is characterized by, polyrhythm, call and response, blues notes, a standard character in the minstrel show and the legal system of post-Reconstruction segregation only, made nearly two hundred recordings and starred in the short film St. Louis Blues, expressed the loneliness and hardship of African Americans and contributed to the music that became known as the blues, Scott Joplin's most famous composition is, By 1900, the syncopations of ragtime music had shifted from the banjo to the following, Vaudeville blues-also known as classic or urban blues-songs were, Country blues musicians changed the timbre and pitch of their guitars by using, "American's classical music", a folk music, a popular music, the minstrel show's characteristics, including blackface, lingered in American show business until the early 1950s. on the Internet. led the Red Hot Peppers. which of the following styles would most likely be heard at a Harlem rent party? on July 15, 2020, Columbia (3172-D / 3171-D / 3176-D / 3173-D / 3174-D / 3175-D), ST. LOUIS BLUES; RECKLESS BLUES; CARELESS LOVE BLUES; WEEPING WILLOW BLUES; THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT; ALEXANDER'S RAGTIME BAND; MUDDY WATER (A Mississippi Moan); MONEY BLUES; TROMBONE CHOLLY; YELLOW DOG BLUES; NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT; Back-Water Blues, 78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278, Advanced embedding details, examples, and help, THERE'LL BE A HOT TIME IN THE OLD TOWN TONIGHT, NOBODY KNOWS YOU WHEN YOU'RE DOWN AND OUT, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_EQ.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_flat.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_EQ.flac, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_flat.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_EQ.flac, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_flat.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_EQ.flac, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_flat.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_EQ.flac, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_flat.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_EQ.flac, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.flac, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_flat.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_EQ.flac, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_flat.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_EQ.flac, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_flat.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_EQ.flac, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_flat.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_EQ.flac, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_flat.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_EQ.flac, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_flat.flac, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_01_3.5_ET_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_02_2.3_CT_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_03_2.8_CT_flat.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_EQ.mp3, _78_alexanders-ragtime-band_bessie-smith-her-blue-boys-buster-bailey-charlie-green-k_gbia8000278f_04_3.3_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_01_3.5_ET_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_02_2.3_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_03_2.8_CT_flat.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_EQ.mp3, _78_back-water-blues_bessie-smith-james-p-johnson-smith_gbia8000278l_04_3.3_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_01_3.5_ET_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_02_2.3_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_03_2.8_CT_flat.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_EQ.mp3, _78_careless-love-blues_bessie-smith-w-c-handy_gbia8000278c_04_3.3_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_01_3.5_ET_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_02_2.3_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_03_2.8_CT_flat.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_EQ.mp3, _78_money-blues_bessie-smith-fletcher-henderson-joe-smith-kapp-coleman-eller_gbia8000278h_04_3.3_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_01_3.5_ET_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_02_2.3_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_03_2.8_CT_flat.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_EQ.mp3, _78_muddy-water-a-mississippi-moan_bessie-smith-her-blue-boys-buster-bailey-charlie_gbia8000278g_04_3.3_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_01_3.5_ET_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_02_2.3_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_03_2.8_CT_flat.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_EQ.mp3, _78_nobody-knows-you-when-youre-down-and-out_bessie-smith-clarence-williams-ed-allen-c_gbia8000278k_04_3.3_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_01_3.5_ET_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_02_2.3_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_03_2.8_CT_flat.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_EQ.mp3, _78_reckless-blues_bessie-smith-louis-armstrong-fred-longshaw-longshaw-gee_gbia8000278b_04_3.3_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_01_3.5_ET_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_02_2.3_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_03_2.8_CT_flat.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_EQ.mp3, _78_st-louis-blues_bessie-smith-louis-armstrong-fred-longshaw-w-c-handy_gbia8000278a_04_3.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_01_3.5_ET_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_02_2.3_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_03_2.8_CT_flat.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_EQ.mp3, _78_therell-be-a-hot-time-in-the-old-town-tonight_bessie-smith-her-blue-boys-buster_gbia8000278e_04_3.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_01_3.5_ET_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_02_2.3_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_03_2.8_CT_flat.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_EQ.mp3, _78_trombone-cholly_bessie-smith-her-blue-boys-charlie-green-fletcher-henderson-joe-s_gbia8000278i_04_3.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_01_3.5_ET_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_02_2.3_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_03_2.8_CT_flat.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_EQ.mp3, _78_weeping-willow-blues_bessie-smith-fletcher-henderson-joe-smith-paul-carter_gbia8000278d_04_3.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_01_3.5_ET_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_02_2.3_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_03_2.8_CT_flat.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_EQ.mp3, _78_yellow-dog-blues_bessie-smith-her-blue-boys-buster-bailey-charlie-green-kaiser-ma_gbia8000278j_04_3.3_CT_flat.mp3. RECKLESS BLUES. Capture a web page as it appears now for use as a trusted citation in the future. Terms of Service (last updated 12/31/2014). The player piano was especially useful for disseminating the _______jazz style. A. tenuous, arbiter louis blues; reckless blues; careless love blues; weeping willow blues; there'll be a hot time in the old town tonight; alexander's ragtime band; muddy water (a mississippi moan); money blues; trombone cholly; yellow dog blues; nobody knows you when you're down and out; back-water blues audio preview Joanne Shaw Taylor's Reckless Heart is something special, rocking in a way I haven't heard in a long time. by Bessie Smith (January 14, 1925 / February 10, 1925), Reckless Blues 3:21. Song. Based on the mix of tones in each piece, describe the voice, or "personality on the page," of each writer. Joanne Shaw Taylor. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. It was also covered by Sheila Collier, Madeleine Peyroux, Ytre Sulens Jass-Ensemble, Carol Leigh & The Dumoustier Stompers and other artists. three. SecondHandSongs is building the most comprehensive source of cover song information. Chordify is your #1 platform for chords. What is the overall form of the buzzard lope? Because Milligan had only a(n) _____ claim on the land, the courtappointed _____ decided the case against him. hs2z\nLA"Sdr%,lt jakej (2023). The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. Indigo. MLA Style. 13 0 obj jakej The pianist on this recording of "Snake Rag" is the only musician in this band not from New Orleans: Lil Hardin. [ /ICCBased 10 0 R ] Human. kK&H+Lb2\5`}$Zm|pQK=h ](DEJ|wnMi)[3n^>c"S*uW2c Vocal; Original issue: Columbia 14056-D; Recorded Jan. 14, 1925. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0. 15 seconds in . Smith grew up in poverty and obscurity. on the Internet. E6S2)212 "l+&Y4P%\%g|eTI (L 0_&l2E 9r9h xgIbifSb1+MxL0oE%YmhYh~S=zU&AYl/ $ZU m@O l^'lsk.+7o9V;?#I3eEKDd9i,UQ h6'~khu_ }9PIo= C#$n?z}[1 which of the following contributed to new Orleans being the ideal place for jazz to be cultivated? Vocal; Original issue: Columbia 14056-D; Recorded Jan. 14, 1925. endstream My mama says I'm reckless, my daddy says I'm wild. 4.0,` 3p H.Hi@A> Ottilie Patterson with Chris Barber's Jazz Band, 2003-2023 Do Your Duty: The Essential Recordings of Bessie Smith. jazz is. Performer: Bessie SmithWriter: Longshaw and Gee. Terms of Service (last updated 12/31/2014). These were recorded flat and then also equalized with Turnover: 500.0. which of the following instruments constitute the frontline of a New Orleans jazz band? "American's classical music", a folk music, a popular music. Search the history of over 806 billion Cyclic. Now I'm growin' old. << /Length 13 0 R /N 3 /Alternate /DeviceRGB /Filter /FlateDecode >> 2020 Preview. on February 23, 2018. Play with guitar, piano, ukulele, or any instrument you choose. Bessie Smith originally recorded Reckless Blues written by Fred Longshaw and Jack Gee and Bessie Smith released it on the single Reckless Blues in 1925. Vocal Blues; (Cornet); (Organ); Cornet; Organ; Piano, Clarinet & Trombone Accompaniment; with Instrumental Trio; Piano; Cornet; ; (Piano); (Cornet); (Trombone, Piano, Cornet). % The preferred version suggested by an audio engineer at George Blood, L.P. is the equalized version recorded with the 3.5mil truncated eliptical stylus, and has been copied to have the more friendly filename. Now I'm growin' old. form: 12-bar blues, Bix Beiderbecke/ Frank Trumbauer "singing the blues", performer: Bix (cornet), frank (sax c-mel) Bessie Smith. 78rpm Records Digitized by George Blood, L.P. The recording on the other side of this disc: Sobbin' Hearted Blues. >> written by Fred Longshaw, Jack Gee written by Fred Longshaw, Jack Gee 3. Four stylii were used to transfer this record. endobj About Reckless Blues. Too long. 1 May 2023. 1047 A1vjp zN6p\W pG@ 2:57. Digitized at 78 revolutions per minute. Country blues musicians changed the timbre and pitch of their guitars by using. *Un"far/q1.u]Xc+T?K_Ia|xQ}tG__{pMju1{%#8ugVcSiaJ}_qVZ#d?:73KWknAYQ2;^)mvJ&fzgty?:/]RbGDD#N-bJ;P2F6ly9-Q;pX?Sb0g7K: Four stylii were used to transfer these records. [ /ICCBased 12 0 R ] Terms in this set (40) Who is the performer of the buzzard lope? xR@zNbV-9B-C %Rh-S)z&F=3|8*`!a?!c February 10, 1925, First recording and first release Now I'm growin' old. form: 12-bar blues, James P. Johnson "you've got to be modernistic", performer: James p johnson- piano << /Length 5 0 R /Filter /FlateDecode >> Bessie smith, Louis Armstrong, Fred longshaw, Call&response, trumpet adopting blues singing style, CH 07 LISTENING QUIZ - A WORLD OF SOLOISTS, Chapter 9: Connecting Desktops and Laptops to, Byron Almen, Dorothy Payne, Stefan Kostka. 15 0 obj stream Four stylii were used to transfer this record. 12-bar A - A - B blues form begins after the 4 bar introduction by cornet and organ ! Terms of Service (last updated 12/31/2014). What year was the buzzard lope recorded? Just before curtain time, theatergoers pack the sidewalks of the _____. When I wasn't nothin' but a child. Ottilie Patterson with Chris Barber's Jazz Band, 2003-2023 xUoT>oR? Reckless blues / Bessie Smith," accessed May 1, 2023, https://adp.library.ucsb.edu/index.php/matrix/detail/2000030008/140242-Reckless_blues. Here Comes the Flood. Digitized at 78 revolutions per minute. Listen to Reckless Blues online. 3:07. the hot five and hot seven recordings are influencial because, they feature soloists and highlight individual expression, a cornet player, a jazz singer, a bandleader, what did Louis Armstrong learn through his gig on the Mississippi riverboats, he improved his ability to read music, he learned to adapt New Orleans style improvisation to written arrangements, he learned songs outside the New Orleans repertory, Louis Armstrong landed his gig with Fletcher Henderson's orchestra in 1924; he lasted, was a New Orleans band that Armstrong played with and led for the las twenty-five years of his life, another impact Armstrong had on jazz came form his, use of nonsense, or "scar" syllables in his singing, Louis Armstrong influences jazz musicians by, performing with a rhythmic energy that was quickly imitated, Louis Armstrong ended his association with Fleeter Henderson because, big Beiderbecke belongs to the first generation to learn jazz from, armstrong formed his hot five and hot seven bands in, the beginning of "singing the blues" features, behind the soloist at the beginning of "singing the blues," you can hear, the solo at the beginning of "singing the blues" features, in the latter part of this excerpt of "wet end blues" the trumpet is joined by the following wind instruments, the trumpet player in this recording of "west end blues" is, the kind of elaborate passage for a solo instrument heart at the beginning of this excerpt of "west end blues" is known as, who is the featured soloist at the beginning of "singing the blues", the texture at the opening of "west end blues" is, the form heard in the section after the opening of "west end blues" is, performer: wilbur sweatman

Ohm Walsh 2 Repair, Trader 575 Signature, Tyler Sis Bloomfield Mo, Wells Fargo International Wire Transfer Routing Number, What To Do If Pilonidal Cyst Pops, Articles I